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Iain macinnes biography of william

          The story of Scotland's Second War of Independence is one of remarkable Scottish resilience against a revitalised and resurgent English kingdom that deserves.

          I completed my PhD at the University of Aberdeen in the summer of Having completed my MA and MPhil at the University of Glasgow, my research at....

          Dr Iain MacInnes

          Publications

          (with Morvern French)  ‘Another Damsel in Distress?

          Katherine Beaumont, a Disinherited noblewoman in fourteenth-century Scotland’, in Gender in Scotland, 1200-1800: Place, Faith and Politics, ed. Janay Nugent, Cathryn Spence and Mairi Cowan (Edinburgh University Press, 2024), 179-192.

          (with Morvern French) ‘Katherine Beaumont, Countess of Atholl, and the Second Scottish War of Independence (c.

          1327–c.

          Iain is from a Hebridean background but spent his early days in Brunei.

        1. Iain is from a Hebridean background but spent his early days in Brunei.
        2. This book sets out to examine in detail the military campaigns of this period, to uncover the histories of those who fought in the war, and to analyse the.
        3. I completed my PhD at the University of Aberdeen in the summer of Having completed my MA and MPhil at the University of Glasgow, my research at.
        4. MacInnes has brought the Second War of Scottish Independence out of historiographical limbo and restored it to its proper place not just in.
        5. Earlier that year, on the 19th March, another ship owner, William McInnes, died at his home in Mariscat Road, Glasgow.
        6. 1336)’, Scottish Historical Review, 102(3) (2023), pp. 333-366

          ‘‘Be at peace with God and me’: Violence, War and Royal Responses to Insurrection in Medieval Scotland, c.1100-1286’, in Peacemaking and the Restraint of Violence in Medieval Europe (1100-1300), ed.

          Simon Lebouteiller and Louisa Taylor (Routledge, 2023), pp. 65-85

          ‘The world as it was/could have been? The depiction and (re)interpretation of medieval history in “Jour J”’, in Drawing the Past, Volume 2: C