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DIRECTOR’S
CUT
Photography by Chuck Tate
Interview byWilliam Kaner
I first met forty-five-year-old director Dikayl Rimmasch in his underground studio in New York, where we spent the night talking Kurt Vonnegut, film, and etymology.
The meaning of words and their origins were important issues for Rimmasch, and he chose his language carefully. His workspace was dark and quiet, and organized solely to the task of making films. Bookshelves featuring the works of Helmut Newton, Brassaï, and Jacques-Henri Lartigue lined the walls along with posters of R2D2 and C3PO.
On the run tour streaming
Camera parts were strewn about like forgotten Lego pieces. It was hard to believe this was the studio of the same man who walked the red carpet at Mann’s Chinese Theatre for the 2008 premiere of his documentary on legendary Cuban bassist Cachao.
The studio was more reflective of Dikayl’s general aesthetic, in line with his previous works such as the short film Ringers. A “run-and-gun” f
